Like the movie, which is directed by the great Rajaram Vankudre Shantaram, the music is by another bollywood heavyweight of that era, C. Ramchandra (CR). CR is also credited for other masterpieces such as Patanga (1949), Sargam (1950),Yasmin (1955), Devta (1956), Nausherwan-E-Adil (1957) and Baarish (1957) to name a few.
As appropriately noted on the back cover of the LP, the highlights of the movie are its exquisite dance numbers and the rich variety of music numbers ranging from the popular to the classical, and sung by Asha Bhosle, Manna Dey and newcomer (and my favourite singer) Mahendra Kapoor (I am surprised he did not get a rap on the back cover though). Rumour has it that Lata Mangeshkar, who was usually the first choice of most music directors of that time, was not asked to sing any of the scores because CR and Lata, who had been having an affair, had a falling out because CR would not leave his wife for Lata! And it is interesting to note that sibling solidaritary and support is not evident in this instance, as Asha obviously had no qualms of taking over badi didi’s (elder sister’s) spot! Oh well, it could be the case of ‘papi pet ka sawaal’ (literally translated as “a matter of the sinful stomach” = survival).
I like and enjoy all of the songs in this album, and Side Two more so than Side One but if I have to choose, my favourite would be “Adha Hai Chandrama Raat Adhi” sung by my favourite singer Mahendra Kapoor. This song is also his debut as a playback singer and came to be a chartbuster hit. The lyrics of this song are just phenomenal; translated the first and second verses would be the following:
Mahendra Kapoor:
Aadha hai chandrama raat aadhi
The night of half moon is half gone
Reh na jaye teri meri baat aadhi, mulaqat aadhi
Hopefully what we have to say is not halved (left unsaid), this rendevous halved (cut short)
Aadha hai chandrama raat aadhi
The night of half moon is half gone
Reh na jaye teri meri baat aadhi, mulaqat aadhi
Hopefully what we have to say is not halved (left unsaid), this rendevous halved (cut short)
Aadha hai chandrama
Half is the moon
Asha Bhosle:
Piya aadhi hai pyaar ki bhaashhaa
My dearest, half (unfulfilled) is the language of love
Aadhi rehne do man ki abhilaasha
Therefore, let your desires be halved (partly relinquished)
Aadhe chalke nayan aadhe chhalke nayan
The eyes are half closed (downcast), the eyes are half closed (downcast)
Aadhi palkon mein bhi hai barsaat aadhi
The lashes too are half closed (downcast) and this rain halved (a drizzle)
Aadha hai chandrama raat aadhi
The night of half moon is half gone
Reh na jaye teri meri baat aadhi, mulaqat aadhi
Hopefully what we have to say is not halved (left unsaid), this rendevous halved (cut short)
Aadha hai chandrama
Half is the moon
Note: “Aadha/Aadhi” literally translates to half or halved in English. The words in brackets would be a better/most appropriate English subsitute in this instance.
Apologies if I got some of this wrong - my mother tongue is actually Punjabi and even that, I admit, I don’t speak too well, being educated in English and Malay
I give this album 4 stars.
Navrang 1959: The Original Soundtrack
Side 1
1. Kari Kari Andhiyari Thi Raat – Asha Bhosle and C. Ramchandra
2. Are Ja Re Hat Nat Khat – Asha Bhosle and Mahendra Kapoor
3. Aa Dil Se Milale – Asha Bhosle
Side 2
1. Tu Chhupi Hai Kahan – Asha Bhosle and Manna Dey
2. Shyamal Shyamal Baran Komal Komal Charan – Mahendra Kapoor
3. Tum Mere Mai Teri – Asha Bhosle
4. Adha Hai Chandrama Raat Adhi – Asha Bhosle and Mahendra Kapoor
Don’t forget to read the movie review HERE at Bollywood Dewana.
8 comments:
Would you believe it that for the last two days I had been trying to access this post? I wonder what was wrong.
Anyway, der aaye durust aaye (better late than never)!
Veen, it seems that there are conflicting reports as to who gave a break to Mahendra Kapoor. He made an impact with his song: CHAAND CHHUPA AUR TAARE DOOBE RAAT GHAZAB KI AAYEE... in the 1958 movie, Sohni Mahiwal. It is Naushad who gave him the opportunity after he judged as the best singer in a talent contest where he sang a Mohammed Rafi song from Shama Parwana (I think that's 1953 movie). Navrang came later where CR took him next.
Two songs were highly popular in Navrang: TU CHHUPI HAI KAHAAN and
ADHAA HAI CHANDRAMA...
In my opinion, CR's best was in ANARKALI (1953) and the song, YEH ZINDAGI USIKI HAI... is remembered to this day.
It was interesting to read your comment on CR-Lata relations, and that the beneficiary was Asha Bhonsle. She also reaped rich rewards during the Rafi-Lata fallout, and Lata-SDB incident. Her AA DIL SE DIL MILA LE is pleasing too since it's in a different vein - classically based.
Great Album!
Sorry Nasir saab, technical glitch with posting. Both Bollywood Deewana and I had to sync our posting but something went wrong. However, 'All Iz Well' now!
Interesting fact about MK. I saw no reference in my research to Naushad, only to CR.
Yes that song from Anarkali is great. I have the album and will be posting it in the near future.
As I said, obviously 'ristha' plays no part in the sisters' relationship. Each to its own. Oh well, maybe they believe in not mixing 'business with pleasure'.
In case you need to know more about CR-Lata, the former had written his autobiography MAAZA JEEVANAACHI SARGAM (THE MELODY OF MY LIFE) Sadly, that's in Marathi language and I haven't read any translations.
I was surprised to read even in some prestigious Dailies that it was in Navrang that MK got a break. How people forget!
Looks like they dropped the song 'tum saiyaan kulake phool'
http://www.youtube.com/watch?v=RYYQXpy1SQk
from the album for some reason, it's usually the other way round that a song on an lp isn't used in the film
I am really surprised BD, as you said, usually the movie gets the song choppped, not the record/CD!
The link you rpovided goes to Jal Bin Machhli....
Sorry Aditya...try this.
http://www.mediafire.com/file/u1066276a26s21q/Navrang%20OST%20%281959%29.rar
Thanks a lot!!
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